Speculative scenarios of the future are gener ated through an interplay between shots of transwoman Valentijn de Hingh and the production of her digital double. The “cyborg” serves as a point of departure for initiating discussions about post-human em-bodiment and new technologies. The avatar here stands in as a generative metaphor for the development of feminist discourse within technological contexts.

Ursula Mayer * 1970 Ried/Innkreis Austria

Films (selection)
The Fire of Knowledge Burns All Karma to Ashes (2019 HD endless loop cross-media)
Atom Spirit (2017 a-g)
Medea (2013 a-g)